Two Tone / 6 products
Studio microphones
Condenser, dynamic and shotgun microphones for recording.
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1–6 of 6 products
AKG
AKG C414 XLS Multi-Pattern Condenser Microphone — Single
Nine selectable pickup patterns
The AKG C414 XLS is a large-diaphragm condenser microphone with nine selectable pickup patterns, allowing the same microphone to suit different vocal and instrument recording arrangements. Its controls include omnidirectional, cardioid and figure-eight positions with intermediate options. This is the XLS version with its reference-oriented voicing, not the presence-enhanced XLII model. It is supplied as one microphone rather than a matched stereo pair. Switchable attenuation provides 6, 12 or 18 dB of level reduction for loud sources. Three bass-cut options operate at 40, 80 and 160 Hz, letting the user reduce low-frequency content at the microphone. The manufacturer specifies 20 Hz to 20 kHz frequency range and 48 V phantom powering through the three-pin XLR connection. A peak-hold indicator helps identify signal overload, while a control-lock function can prevent accidental setting changes. The standard package includes a shock mount, windscreen, pop filter and carrying case. Those accessories do not turn it into a complete recording system: a compatible phantom-powered microphone input, suitable support and recording equipment are still required. Pattern selection and placement influence how much room sound is captured; none of the settings guarantees background-noise elimination.
Neumann
Neumann TLM 102 Condenser Microphone — Nickel, Single
Fixed cardioid large-diaphragm condenser
The Neumann TLM 102 is a compact large-diaphragm condenser microphone with a fixed cardioid pickup pattern for recording vocals and instruments. This listing is the nickel-finish single microphone, identified by Neumann catalogue number 008626. It is not the black 008627 version or the separate Studio Set supplied with an EA 4 shock mount. The standard nickel package includes the SG 2 swivel mount. Neumann specifies a frequency range of 20 Hz to 20 kHz and a maximum sound pressure level of 144 dB at 0.5% total harmonic distortion. Its response includes a gentle presence lift above 6 kHz rather than a promise of completely flat reproduction. An integrated pop screen helps control breath noise, but does not replace suitable placement or a separate pop filter when needed. The microphone uses a three-pin XLR connection and requires P48 phantom power, specified as 48 V plus or minus 4 V. A compatible microphone input, cable, support stand and recording system are separate requirements. The cardioid pattern favours sound from the front; it does not remove room reflections or background sound. It is not a USB microphone or a standalone recorder.
Shure
Shure SM7dB Dynamic Vocal Microphone — Black
Cardioid dynamic microphone with analogue XLR output
The Shure SM7dB is a cardioid dynamic microphone for spoken-word and vocal recording, with an analogue XLR output for connection to a microphone input. Its distinguishing feature is a built-in preamp, rather than a USB interface. Rear switches select an additional 18 dB or 28 dB of gain, helping match the microphone’s output to the recording chain without adding a separate inline booster. The preamp needs 48 V phantom power from a compatible interface or mixer. A bypass switch removes that active gain stage, returning the microphone to passive operation. This distinction matters when choosing an input: the microphone remains dynamic even though its optional preamp uses phantom power. Bass roll-off and presence controls allow the response to be adjusted at the microphone. A yoke mount provides angle adjustment, while the foam windscreen and internal shock isolation help manage breath and handling noise. The cardioid pattern favours sound arriving from the front; it does not eliminate room noise or replace acoustic treatment. This is the SM7dB, not the original SM7B or a USB recording microphone. A suitable recording interface, support stand and recording system are separate requirements.
RØDE
RØDE NTG5 Shotgun Microphone — Location Recording Kit
Supercardioid RF-bias shotgun condenser
The RØDE NTG5 Location Recording Kit combines a compact shotgun condenser microphone with a pistol-grip mounting system and wind protection for location sound recording. Its supercardioid pickup pattern is directional, favouring the source in front of the microphone. It is an analogue XLR microphone, not a USB recorder or a wireless system, and requires a compatible recorder or microphone input supplying 48 V phantom power. RØDE specifies an RF-bias condenser design, a microphone weight of 76 g and a length of 203 mm. The stated frequency range is 20 Hz to 20 kHz; the separately specified response is 80 Hz to 20 kHz within plus or minus 3 dB. These figures should not be confused with a switchable low-cut filter. No onboard pad or filter switch is listed in the official specification sheet. This NTG5KIT offer includes the WS10 windshield, PG2-R pistol grip, PG2-R Pro cable and ZP1 pouch described in the manufacturer's kit information. A boom pole, recorder and additional recording equipment are separate requirements. The included wind protection helps manage outdoor wind noise but does not guarantee silent recordings. Positioning, gain settings and the recording environment still affect the result.
Shure
Shure SM7B Dynamic Vocal Microphone — Black
Cardioid moving-coil dynamic microphone
The Shure SM7B is a cardioid dynamic microphone with an analogue three-pin XLR output for vocal and spoken-word recording. Its moving-coil design does not need phantom power, and this original SM7B has no built-in active gain stage. It must not be confused with the separate SM7dB model, which adds an optional powered preamp. A suitable microphone input with sufficient clean gain is needed to obtain the desired recording level. Rear response switches provide bass roll-off and midrange presence emphasis. Shure specifies a frequency range of 50 Hz to 20 kHz; the selected response setting changes its tonal balance. The internal shock-isolation system and foam windscreen help manage mechanical vibration and breath noise, while the yoke mount allows the microphone angle to be adjusted. The standard package includes the foam windscreen and a larger close-talk windscreen. This listing is the microphone itself, not a boom-arm or headphone bundle. A support stand, XLR cable, interface and recording system are separate requirements. The cardioid pattern favours sound from the front and reduces off-axis pickup, but does not replace microphone technique or acoustic treatment. It is not a USB microphone or a standalone recorder.
AKG
AKG C214 Large-Diaphragm Condenser Microphone — Single
Fixed cardioid pickup; single microphone
The AKG C214 is a large-diaphragm condenser microphone with a fixed cardioid pickup pattern for recording vocals and instruments. Its side-address capsule captures sound from the front of the grille, while an integrated suspension helps reduce mechanical vibration reaching the capsule. It connects to a compatible microphone input using a balanced three-pin XLR output; it is not a USB microphone or a standalone recording device. Two switches provide practical control at the microphone. The 20 dB attenuation pad reduces the signal level for louder sources, and the 160 Hz bass-cut filter reduces low-frequency content when engaged. AKG specifies a 20 Hz to 20 kHz audio bandwidth and a powering interface of 9 to 52 V. These are manufacturer specifications rather than a promise of a perfectly flat response or the removal of room noise. This listing is one C214, not a matched stereo pair or the multi-pattern C414. The standard single-microphone package includes a shock mount, foam windscreen and carrying case. A recording interface, support stand and recording system are separate requirements. Positioning, microphone gain and the recording room remain important to the result.