Two Tone / 11 products
Studio monitors
Active monitors for accurate mixing.
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1–11 of 11 products

Focal Professional
Focal Shape Twin — single monitor
Single powered 2.5-way studio monitor
The Focal Shape Twin is a powered studio monitor supplied here as one loudspeaker, not a pair. Its 2.5-way design uses two five-inch Flax-cone woofers with a one-inch aluminium-magnesium M-profile tweeter. Two side-mounted passive radiators support the bass loading; they are not additional powered woofers. Three Class AB amplifier stages drive the active loudspeaker sections. Focal’s specification table gives a frequency response of 40 Hz to 35 kHz within ±3 dB and a maximum sound pressure level of 110 dB peak at one metre. The peak figure is not a continuous-output rating. Balanced XLR and unbalanced RCA inputs allow connection to suitable recording interfaces or monitoring controllers. Acoustic adjustments help tailor the response to the installation, while the passive-radiator arrangement avoids a conventional bass-reflex port. The cabinet measures 478 mm high, 211 mm wide and 279 mm deep and weighs 11 kg. This model should not be described as a three-way monitor merely because it has three active drivers. A stereo monitoring setup needs a second unit purchased separately.

Neumann
Neumann KH 120 II Anthracite — single monitor
Single anthracite powered two-way monitor
The Neumann KH 120 II is a powered two-way studio monitor supplied here as one anthracite loudspeaker. Its five-and-a-quarter-inch woofer and one-inch tweeter work with built-in DSP-controlled electronics. This is the second-generation KH 120 II, rather than the earlier KH 120 model, and the price is for one unit rather than a stereo pair. The standard model provides analogue and S/PDIF digital connectivity. Its network connection supports control and alignment, and should not be advertised as an AES67 audio connection: Neumann offers a separate AES67 version. Local controls and network-based adjustment provide options for installation in recording and production spaces. Neumann publishes a free-field response of 44 Hz to 21 kHz within ±3 dB. That qualified frequency range is distinct from manufacturing-tolerance specifications and must not be rewritten as an unspecified perfectly flat response. The monitor can work with Neumann’s MA 1 alignment system, but this listing does not include that additional system. Built-in amplification means a separate speaker power amplifier is unnecessary; a stereo setup requires two monitors.

ADAM Audio
ADAM Audio A7V Black — single monitor
Single black powered two-way monitor
The ADAM Audio A7V is a powered two-way studio monitor supplied here as one black loudspeaker. It combines a seven-inch Multi-Layer Mineral-fibre woofer with ADAM’s X-ART tweeter. The front-facing ports, rotatable HPS waveguide and onboard DSP form part of the monitor’s acoustic design, with tuning options intended to help adapt its response to the listening environment. Balanced XLR and unbalanced RCA sockets provide analogue audio inputs. The separate Ethernet-style socket is labelled Remote Control on the product itself; it must not be presented as a network-audio input. Rear-panel controls provide room adaptation, voicing and level adjustment without requiring a separate speaker power amplifier. The manufacturer lists a frequency range of 41 Hz to 42 kHz on its product overview. That range is not presented here as a tolerance-qualified flat response, and no unsupported continuous amplifier rating is assigned. This is the A7V generation rather than the older A7X. The price covers one monitor, so a conventional stereo monitoring setup requires two units.

Dynaudio
Dynaudio LYD 8 8-inch Active Studio Monitor — Black Single
Single black monitor with 8-inch woofer and 1-inch soft-dome tweeter
The Dynaudio LYD 8 is a black active nearfield studio monitor offered as one speaker, not a stereo pair. Its 8-inch woofer and one-inch soft-dome tweeter are driven by separate Class D amplifiers: 80 watts for the low-frequency section and 50 watts for the high-frequency section. Balanced XLR and unbalanced RCA inputs provide analogue connections for a suitable audio interface, mixer or playback source. Rear-panel DSP controls adjust Bass Extension and Sound Balance, while the Position setting offers separate tuning for free-standing placement or placement within 50 centimetres of a wall. The wall setting is an acoustic tuning option, not a promise of included wall-mounting hardware. These settings allow the monitor to be adapted to its listening environment without an external control application. Dynaudio lists dimensions of 234 × 369 × 328 mm and a weight of 10.2 kg for this model. A second matching monitor is needed for stereo monitoring. Manufacturer maximum sound-pressure figures measured with a pair are not presented as single-speaker ratings, and no unsupported software, mounting accessories or untoleranced full frequency-response claim is included.

Yamaha
Yamaha HS8 Matched Pair Studio Monitors — Black
Two black powered studio monitors
The Yamaha HS8 matched-pair package contains two black powered studio monitors for a stereo monitoring setup. Each cabinet combines an eight-inch cone woofer with a one-inch dome tweeter and separate amplification for the low- and high-frequency drivers. Yamaha specifies 120 W output power per monitor, split into 75 W for the woofer and 45 W for the tweeter. This is not a claim of 120 W for the whole pair or an invented peak-power rating. Each monitor provides an XLR input and a quarter-inch phone input, accepting balanced or unbalanced signals. Rear ROOM CONTROL and HIGH TRIM switches allow low-frequency and high-frequency adjustment to suit placement. The rear bass-reflex port needs sensible clearance from walls; these controls do not replace room treatment or careful positioning. This listing uses the donor's matched-pair barcode, not the separate Google-listed single HS8 barcode. The front and rear detail photographs show one cabinet from the two-monitor package. A compatible audio source, signal cables and suitable supports are separate requirements. These are mains-powered analogue studio speakers, not battery-operated Bluetooth speakers, and they do not include a subwoofer.

Genelec
Genelec 8030C Dark Grey — single monitor
Single dark-grey 8030C powered monitor
The Genelec 8030C is a powered two-way studio monitor supplied here as one dark-grey loudspeaker. Its 130 mm bass driver and 19 mm treble driver are powered by individual 50 W Class D amplifier stages. The die-cast aluminium Minimum Diffraction Enclosure uses rounded edges, while the Directivity Control Waveguide helps shape the monitor’s dispersion around the listening position. The manufacturer publishes −6 dB frequency limits of 47 Hz and 25 kHz, with response accuracy of ±2 dB over the narrower 54 Hz to 20 kHz range. Its balanced XLR input connects to appropriate recording interfaces, mixers or monitor controllers. Built-in amplification means a separate speaker power amplifier is not required. Room-compensation controls allow the response to be adjusted for placement, and Intelligent Signal Sensing supports automatic standby. The included Iso-Pod support provides isolation and angle adjustment. This is the C generation, confirmed by the product-bound listing and rear model label rather than inferred from the abbreviated 8030 page title. The 299 mm overall height includes the Iso-Pod; a stereo monitoring system requires two units.

Genelec
Genelec 8020D Black — single monitor
Single black powered studio monitor
The Genelec 8020D is a compact powered studio monitor supplied here as one black loudspeaker. Its two-way design combines a 105 mm bass driver with a 19 mm treble driver, each served by a separate 50 W Class D amplifier. The rounded die-cast aluminium cabinet and Directivity Control Waveguide form part of the monitor’s acoustic design, while the included Iso-Pod support allows its listening angle to be adjusted. Genelec specifies a frequency range of 56 Hz to 25 kHz at the −6 dB limits and response accuracy of ±2.5 dB from 62 Hz to 20 kHz. These are different measurement ranges and should not be combined into a single flat-response claim. A balanced XLR input accepts audio from suitable interfaces, mixers and monitoring controllers. Rear-panel room-compensation controls help adapt the monitor to its placement. Intelligent Signal Sensing provides an automatic standby function, rather than a wireless audio connection. Measuring 242 mm high with its Iso-Pod, the monitor suits spaces where a small cabinet is useful. A stereo setup requires two monitors; the price shown is for one unit.

Focal Professional
Focal Alpha Twin Evo — single monitor
Single powered 2.5-way studio monitor
The Focal Alpha Twin Evo is a powered studio monitor supplied here as one loudspeaker, not a stereo pair. Its horizontal 2.5-way design combines two 6.5-inch Slatefiber woofers with a one-inch aluminium inverted-dome tweeter. Focal specifies a frequency response of 38 Hz to 22 kHz within ±3 dB and a maximum peak sound pressure level of 108 dB at one metre. Built-in Class D amplification comprises two 50 W mid/low-frequency stages and a 30 W high-frequency stage. These separate amplifier figures should not be turned into an unspecified continuous system-power claim. Balanced XLR and TRS inputs, plus an unbalanced RCA input, provide connection options for suitable studio equipment. A rear-panel selector determines which woofer handles the midrange, helping the monitor’s arrangement suit its left or right position. Focal recommends placing the selected midrange drivers towards the inside when using two monitors. The cabinet measures 550 mm wide, 260 mm high and 290 mm deep, with a weight of 12.2 kg. A stereo setup requires a second monitor purchased separately.

ADAM Audio
ADAM Audio A4V Black — single monitor
Single black powered two-way studio monitor
The ADAM Audio A4V is a compact powered two-way studio monitor supplied here as one black loudspeaker. A four-inch Multi-Layer Mineral-fibre woofer works with the manufacturer’s X-ART tweeter, while the rotatable HPS waveguide and onboard DSP provide options for adapting the monitor to its installation. Its small cabinet is useful where available space is limited, but it remains a single monitor rather than a stereo speaker set. Balanced XLR and unbalanced RCA connections accept analogue audio from appropriate interfaces, mixers or monitoring controllers. Rear-panel controls provide room adaptation, voicing and level adjustment. The separate socket marked Remote Control should not be confused with an audio input or advertised as a network-streaming connection. ADAM’s product overview lists a frequency range of 53 Hz to 42 kHz. No response-tolerance or continuous amplifier-power claim is inferred from those endpoints. This listing identifies the A4V, confirmed by the donor-bound barcode and readable rear model label. Built-in amplification removes the need for a separate speaker power amplifier; two units are required for a stereo monitoring setup.

Dynaudio
Dynaudio LYD 5 5-inch Active Studio Monitor — Black Single
Single black monitor with 5-inch woofer and 1-inch soft-dome tweeter
The Dynaudio LYD 5 is a black active nearfield studio monitor offered as one speaker, not a stereo pair. Its 5-inch woofer and one-inch soft-dome tweeter are driven by separate Class D amplifiers: 50 watts for the low-frequency section and 50 watts for the high-frequency section. Balanced XLR and unbalanced RCA inputs provide analogue connections for a suitable audio interface, mixer or playback source. Rear-panel DSP controls adjust Bass Extension and Sound Balance, while the Position setting offers separate tuning for free-standing placement or placement within 50 centimetres of a wall. The wall setting is an acoustic tuning option, not a promise of included wall-mounting hardware. These settings allow the monitor to be adapted to its listening environment without an external control application. Dynaudio lists dimensions of 170 × 260 × 211 mm and a weight of 5.7 kg for this model. A second matching monitor is needed for stereo monitoring. Manufacturer maximum sound-pressure figures measured with a pair are not presented as single-speaker ratings, and no unsupported software, mounting accessories or untoleranced full frequency-response claim is included.

Pioneer DJ
Pioneer DJ VM-80 8-inch Active Studio Monitor — Single
Single active monitor with 8-inch aramid-cone woofer
The Pioneer DJ VM-80 is an active studio monitor supplied as one speaker, not a stereo pair. Its eight-inch aramid-cone woofer is combined with a high-frequency driver and a Class D amplifier using 96 kHz DSP. The manufacturer specifies separate amplifier outputs of 90 watts for the low-frequency section and 30 watts for the high-frequency section, each into four ohms; these figures are not a sound-pressure rating. Rear-panel low and high EQ controls each have four positions, giving sixteen combinations for adapting playback to the room and the listening preference. A balanced XLR/TRS combination input and an unbalanced RCA input accept suitable audio sources. The rear bass-reflex port uses the Vortex Bass Accelerator design, while the aluminium front baffle and tweeter guard form part of the cabinet construction. Pioneer lists a frequency range of 34 Hz to 36 kHz without a response tolerance. The monitor requires mains power; a power cable and cushioned feet are included. A second VM-80 is required for a matching stereo pair.